Dhire Dhire Mahantswami Apano Nehado Lagiyo New Baps Kirtan mp3 download


Dhire Dhire Mahant Swami Apano Nehdo Lagyo Re.. | baps new kirtan 2017

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DHIRE DHIRE MAHANT SWAMI | BAPS KIRTAN | NEW MAHANT SWAMI KIRTAN 2017 | CREATE BY SOLANKI JAIMIN

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DHIRE DHIRE MAHANT SWAMI | BAPS KIRTAN | NEW MAHANT SWAMI KIRTAN 2017 | CREATE BY SOLANKI JAIMIN Namskar Mitro, Hu Jaimin Apnu Swagat Chhe Mari AA Chaanelma tamne Gujarati baalgeet,gujarati kavysangraho malshe ane biju ghanu badhu SO PLEASE LIKE KARO AND SHARE KARO VIDEO ANE SUBSCRIBE MY CHANNEL JETHI TAMNE UPDATE MALI SHAKE Twitter : https://twitter.com/SOLANKIJAIMIN_1 Facebook : https://www.facebook.com/SolankiJaiminOfficial Google+ : https://plus.google.com/u/0/117149699403025653371 Instagram : https://www.instagram.com/SolankiJaiminOfficial/ Pinterest : https://in.pinterest.com/jaimin36058/ My New Channal 24 Online : https://www.youtube.com/channel/UCPKC193GZiyGy1gY0TIsMFQ LIKE | SHARE | COMMENT SUBSCRIBE THIS CHANNEL Thanks For Watching By Solanki Jaimin ----------------------------------------------------------------------- Audio Use From Audio CD/DVD BAPS Swaminarayan Sanstha Aksharpith, Shahibag YouTube Channel Link :- https://www.youtube.com/BAPSChannel CC https://creativecommons.org/licenses/by/4.0/ ------------------------------------------------------------------------


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Aavvo Padharo ree... BAPS New New Kirtan Mahant swami

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Video from Harshad.Patel.Mota


"Avo Padharo Re Mahant Swami Maharaj"|आवो पधारो रे महंत स्वामी महाराज| BAPS Kirtan - Bhajan

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"Avo Padharo Re Mahant Swami Maharaj"|आवो पधारो रे महंत स्वामी महाराज| BAPS Kirtan - Bhajan Kirtana or Kirtan is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story.It also refers to a genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas With roots in the Vedic anukirtana tradition, a Kirtana is a call-and-response style song or chant, set to music, wherein multiple singers recite or describe a legend, or express loving devotion to a deity, or discuss spiritual ideas. It may include dancing or direct expression of bhavas emotive states by the singer. Many Kirtana performances are structured to engage the audience where they either repeat the chant, or reply to the call of the singer. A person performing kirtana is known as a kirtankara or kirtankar. A Kirtan performance includes an accompaniment of regionally popular musical instruments, such as the harmonium, the veena or ektara forms of string instruments, the tabla one-sided drums, the mrdanga or pakhawaj two-sided drum, flute forms of woodwind instruments, and karatalas or talas . It is a major practice in Vaisnava devotionalism, Sikhism, the Sant traditions and some forms of Buddhism, as well as other religious groups. Kirtana is sometimes accompanied by story-telling and acting. Texts typically cover religious, mythological or social subjects. Kirtana has Vedic roots and it means "telling, narrating, describing, enumerating, reporting". The term is found as Anukirtana or Anukrti, Anukarana, literally a "re-telling" in the context of Yajna, wherein team recitations of dialogue-style and question-answer riddle hymns were part of the ritual or celebratory dramatic performance. The Sanskrit verses in chapter of Shatapatha Brahmana , for example, are written in the form of a riddle play between two actors. The Vedic sacrifice is presented as a kind of drama, with its actors, its dialogues, its portion to be set to music, its interludes, and its climaxes. The root of Kirtana is kirtan The root is found in the Samhitas, the Brahmanas and other Vedic literature, as well as the Vedanga and Sutras literature. Kirt, according to Monier-Williams contextually means, "to mention, make mention of, tell, name, call, recite, repeat, relate, declare, communicate, commemorate, celebrate, praise, glorify". Kirtana, sometimes referred to as sankirtana literally, "collective performance", is a call-and-response chanting or musical conversation, a genre of religious performance arts that developed during India's bhakti devotional traditions. However, it is a heterogeneous practice that varies regionally according to Christian Novetzke, and includes varying mixture of different musical instruments, dance, oration, theatre, audience participation and moral narration.In Maharashtra for example, states Novetzke, a Kirtana is a call-and-response style performance, ranging from devotional dancing and singing by a lead singer and audience, to an "intricate scholarly treatise, a social commentary or a philosophicallinguistic exposition", that includes narration, allegory, humor, erudition and entertainment – all an aesthetic part of ranga beauty, color of the kirtana. Kirtan is locally known as Abhang, Samaj Gayan, Haveli Sangeet, Vishnupad, Harikatha.The Vaishnava temples and monasteries of Hinduism in Assam and northeastern, called Satra, have a large worship hall named Kirtan ghar – a name derived from their being used for congregational singing and performance arts. Bochasanwasi Akshar Purushottam Sanstha , often abbreviated as BAPS is a worldwide religious and civic organization within the Swaminarayan branch of Hinduism. BAPS was established as a formal organization on 5 June 1907 by Shastriji Maharaj. It was formed on the founder's doctrinal stand that Swaminarayan had promised to remain present through a lineage of Gunatit Gurus or Akshar dating all the way back to Gunatitanand Swami - Swaminarayan's foremost principal devotee. Gunatitanand Swami was succeeded by Bhagatji Maharaj, Shastriji Maharaj, Yogiji Maharaj, Prumukh Swami Maharaj and Mahant Swami Maharaj. Due to the organizational emphasis on the Akshar Purushottam doctrine, it essentially forms the organization's middle name. The fundamental beliefs of BAPS include the spiritual guidance through the living Akshar or Guru who is believed to have attained oneness with Swaminarayan. Mahant Swami Maharaj is the current Guru and the president of the organization.


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